Seoungho Cho writes: "I received permission to videotape an unknown sannyasi having a siesta as if he were in a deep meditation. Usually we believe that body is the vehicle of soul. I would not know what kind of soul this old, tired and unconsciously open body might suggest. I came to think...

In June 2008, Michael Smith staged a birthday party for his legendary character Baby Ikki at EAI. Baby Ikki's Birthday Party documents this performance, following the diaper-clad baby as he interacts with party guests and an ebullient clown named Curly. During the party, cake was served, games...

Can artistic collaboration be outsourced? Lucas answers yes in Background Story, a work that continues her ongoing examination of the isolating and disorienting effects of electronic media on contemporary life. Using Amazon's Mechanical Turks program, which connects employers with an anonymous...

Baldino-Neutrino expands on the artist's continuing fascination with scientific phenomena. As in Nano-cadabra and Color Without Color, Baldino focuses on visuality and the unseen; in this case, the movement of neutrinos. Baldino journeyed to Switzerland to visit CERN, the world's largest...

With a striking economy of means, Ramos enacts a close-up performance action: he blows up a balloon with his nostril until it bursts in his face. He then repeats the action with his other nostril. Alternating nostrils, he continues to blow up the balloon until it bursts. With each iteration his...

"In Bambi's Beastly Buddies, Bambi and skunk embody innocence, vulnerability and love. I lit Bambi on fire to a refrain from Beethoven's Ode to Joy, on the morning of May 11, 2004, when I read that Nick Berg, an American telecommunications contractor, was beheaded by Islamic militants on live...

"Behind my desire to 'activate' the audience is a distaste for sutured, hegemonic cinema. By this, I mean a cinema dominated by both narrative and documentary traditions, cinema that hypnotizes its audience through invisible editing, illusionist sound, and 3D) perspective. With Bamboo Xerox, I...

Using a hand-held camera, Hammer initially shot on 8 mm stock. Her second film—created in 1968 while the artist was still married (her married name was Barbara Ward)—programmatically shows the desecration of a graveyard. Though only at the beginning of her development as an artist, she already...

"My mother didn't want me to play with Barbie dolls because she was of the generation where she thought it was against creativity and against women ... . So I had to secretly play with dolls. Ironically, as a child Barbie games gave me the possibility of controlling my world – so in fact this...

Barking is infused with a sense of mystery, the anticipation that something is about to happen. A car is parked outside a house in a rural Nova Scotia landscape. A dog barks into the distance. A woman enters the frame, looks for the object of the dog's barking, and leaves. The camera pans the...

Hill's early formalist works explore the manipulation of electronic color and image density through the camera obscura and image processing devices. Of these tapes, Hill has written that "much of the subject matter and the expressionistic method of working underline and in some sense parody the...

Bell-Smith refers to his re-edit of Eisenstein's iconic 1925 film The Battleship Potemkin as a "sort of Cliff Notes condensation of the original narrative." Writes the artist, "I've separated the film into its constituent shots and time stretched them one by one to the exact same length, one half...

Baldino records French artist Ivan Polliart as he watches the last part of Battleship Potemkin with his young son, Witold. Father and son sit on a couch together; the television is off camera. The viewer hears the soundtrack (in French) to Battleship Potemkin as Ivan reads the subtitles and...

Terry Riley represents a continuous flow of musical ideas, from "In C" to this enchanting rag that dances and circles and absolves humanity of all evil by turning all thoughts to a state of enlightened delight. My response was to fashion a particle animation "video mandala" that morphs from a...

Continuing his investigation into the intersection of culture and technology in the context of the hand-made, here Arcangel explores the "mash-up," in which music fans digitally merge two songs to create unexpected hybrids. Arcangel's experiment pushes this practice into the realm of absurdity,...

In Because We Must, Atlas continued his collaboration with British choreographer Michael Clark, the enfant terrible of the dance world in the 1980s. Based on an original stage production at Sadlers' Wells Theatre in London, this is an ironic, irreverent work that is as entertaining as it is...

Bedtime is one of four new episodes of Peggy and Fred in Hell completed since 2000, along with Have a Nice Day Alone (2002), The Splendor (2002), and The Fold (2013). Like other parts of the project, Bedtime sees a sustained use of found footage and integrates archival images—factories, military...

Three highly intellectual, highly sexual, visually playful digital works, charged with humour and political power. Hammer plays with the tools of digital processing mixing up the ‘straight love story’ by queering love and seduction through pixels gone astray.

Before, During, After is a collection of collaborative works that reference the devastating events of September 11th in New York. Levinas in Yorkville overlays images of Yorkville in upper Manhattan with text and music. In The Ambiguous Coil Gorewitz responds to the tragic events and their...

Composed entirely of film scraps salvaged from a closed Beirut cinema, Beirut Outtakes is a collage of sensational visions. Ed Halter writes in the Village Voice: "Outtakes appears to be a ready-made, albeit one tailor-made for Ahwesh's career obsessions, pre-filled with her signature elements:...

A piece from the incremental Benetton series (2004- present). Premiered at the Kitchen in either 2005 or 2006.

"Bent Time is influenced by scientists who have noted that light rays curve at the outer edges of the universe leading them to theorize that time also bends. A one-point perspective visual path across the US beginning inside a linear accelerator – or atom-smashing device – and traveling to such...

Writes Kobland, "It's a letter to Berlin; a graveyard meditation (with The Wall as its marker). I spent eight months in Berlin (West) as a DAAD fellow; a true guest worker, in 1986-87. I wanted to respond in some way to this strange place. I wanted to describe the landscape of Cold War Berlin,...

From 1995 to 1997, Bernadette Corporation constituted itself as an underground fashion label based in New York, complete with a head designer and four well-received runway shows. Drawing on the vernacular of local subcultures, from recent immigrant communities to the downtown fashion scene...

Writes Ahwesh: "Working through my archive of accumulated video footage, I pretended it was found footage from anonymous sources. What began as a tribute to Bruce Conner of the period of Valse Triste and Take the 5:10 to Dreamland, with their deliberate pace and bittersweet memory of home, ended...

In June 2001 during an artist's residency in Spain, Peter d'Agostino performed video walks through Cordoba's three architectural monuments: The Great Mosque, Alcazar, and Synagogue, looking up with the camera toward the ceilings. When he began to edit the videos in September, 2001, the events of...

Between Earth & Sky: MX I / pyramids is a video triptych from a suite of ten walks Peter d'Agostino performed in Mexico City and its surroundings, the east and west coasts, and the U.S. border. Commissioned by the Instituto Nacional de Bellas Artes, the installation of video projections, plasma...

Muntadas states: "Art, as part of our time, culture and society, shares and is affected by rules, structures and tics, like other economic, political and social systems in our society. Between the Frames is a series of eight chapters about people and institutions located between the artist and...

Bilder der Berührungen features a full-length experimental film, Syntagma, within a digital sound-and-image-scape that includes film and video sequences, photographs, quotations and poems, drawn from VALIE EXPORT's extensive body of work.

PLEASE NOTE: This CD-ROM was made for computers with...

Award-winning choreographer/dancer Bill T. Jones came to prominence in the early 1980s, when he founded the Bill T. Jones/Arnie Zane Dance Company with his long-term partner Arnie Zane. Jones and Zanes' "new wave" choreography often featured video, text, and autobiographical references, with...

In August 1974, Matta-Clark made a cut in a house in Niagara Falls, New York. The artist obtained permission to divide the exterior facade into nine parts. An hour after he finished, the house was demolished; segments of the facade were taken to Art Park and dumped.

The décor for BIPED is an exploration into the possibilities of motion capture technology. The movements (but not the physical appearances) of the dancers were transposed into digital images. Paul Kaiser and Shelley Eshkar collaborated with Merce Cunningham to make a new piece of virtual...

A precursor to Lucier's later works, in which light is used as metaphor, Bird's Eye is an evocative formalist exercise in which Lucier explores light in relation to the material properties of video. Aiming a laser directly at the camera's eye, she burned the vidicon tube. Changing the focal...

Hill's early formalist works explore the manipulation of electronic color and image density. Of these works, Hill has written that "much of the subject matter and the expressionistic method of working underline and in some sense parody the traditional medium of painting." Bits is an abbreviated...

In Black Celebration, Cokes merges newsreel footage of riots in urban black neighborhoods in the 1960s with popular music and text commentary to create an incisive counter-reading. Writes Cokes: "This videotape involves the riots that took place in the Watts section of Los Angeles, California in...

Sondra Perry's videos and performances foreground the tools of digital production as a way to critically reflect on new technologies of representation and to remobilize their potential. At once abstract and representational, the video Black Girl as a Landscape articulates Perry’s stated interest...

In his early works, Hill explores the structural and organic relation of linguistics to electronic phenomena. He states, "Certain structural properties of video are revealed in an almost primal sense." Black/White/Text is a linguistic deconstruction that represents the syllabic structure of words...

Assuming the role of visionary CEO Guy White, Musson pitches a functionless “anti-social social networking” app—co-developed with Buzzfeed founder Jonah Peretti for Rhizome’s Seven on Seven. The app, a blank white screen intended for infinite scrolling without the friction of content, is offered...

Assuming the role of visionary CEO Guy White, Musson pitches a functionless “anti-social social networking” app—co-developed with Buzzfeed founder Jonah Peretti for Rhizome’s Seven on Seven. The app, a blank white screen intended for infinite scrolling without the friction of content, is offered...

Assuming the role of visionary CEO Guy White, Musson pitches a functionless “anti-social social networking” app—co-developed with Buzzfeed founder Jonah Peretti for Rhizome’s Seven on Seven. The app, a blank white screen intended for infinite scrolling without the friction of content, is offered...

Blocking is General Idea's document of a 1974 performance at the artist-run center The Western Front in Vancouver, one of a series of performances that began with the Miss General Idea Pageants of 1970 and 1971 and became part of the extended project The 1984 Miss General Idea Pavilion. Just as...

This legendary film features artist Jack Smith in what Jacobs calls "a look in on an exploding life, on a man of imagination suffering pre-fashionable lower East Side deprivation and consumed with American 1950's, 40's, 30s disgust. " Jacobs did little of the shooting himself, instead drawing...

In Blue Desert, Seoungho Cho transforms a sublime natural landscape into a stunning abstraction through precise electronic manipulation. Writes Cho: "Blue Desert is one in a series of ongoing visual struggles with Death Valley, a specific desert landscape which I have worked with since 1992. It...

With Blue Moon Over, Weiner extends his text-based works into the digital realm, positing aphorisms and epigrammatic phrases that investigate language, acquisition and desire. Employing a visual system that suggests flowcharts, horizon lines and diagrams, Blue Moon Over is structured as a series...

In this conceptual performance, Davidovich "paints" on an electronic canvas in the three primary colors of the color wheel, by covering a snow-filled TV screen with adhesive tape: first blue, then red, then yellow. Davidovich first exhibited this work at Anthology Film Archives in 1974.

Writes Lampert: "Little diary moments from my hard drive that show but do not tell who, what and where I was in my on and off time around 2008-2011. Don't blink or you might miss Steve Dalachinsky, Gelitin, Richard Foreman, John Zorn, my father, my nephew, Fidget the cat, Dani Leventhal, Liz...

Rist's body is the canvas in this surreal montage. Unflinching displays of the artist's own menstrual blood are juxtaposed with images of gemstones, while swooping, close-up shots of Rist's arms and legs are followed by archival footage of lunar fly-bys, suggesting the ease with which...

WARNING: This work contains throbbing light. Should not be viewed by individuals with epilepsy or seizure disorders.

Ken Jacobs describes Bob Fleischner Dying: "Bob allows his sick and fading image to be caught in stereo photography. A man of mystery, so banal in some ways, so unexpectedly 'on'...

Body Collage is a visceral "movement-event" from 1967, in which Schneemann paints her body with wallpaper paste and molasses, and then runs, leaps, falls into and rolls through shreds of white printer's paper, creating a physicalized corporal collage. "My intention was not simply to collage my...

Produced by Palestine at Art/Tapes/22 in Florence, Italy, these works are seminal performance-based exercises. Palestine calls Body Music I "a study in the vocal-physical responses of a species caught in an enclosed square room." He begins this ritualistic piece sitting on the floor, establishing...

This interview is with Carlos Montanez, Director of The Mobile Market food distribution program at Henry Street Settlement.

Booty Melt, a mash-up of re-edited YouTube clips and original flash animation, explores the conflation of cartoon violence and real or implied violence in the pop vernacular. Ciocci finds hybrid monsters of caricature/reality in hip-hop fashion (the front-zipping hoodie, embroidered with the...

Borrowed Time, which Gorewitz refers to as "a video dirge for my father," combines highly personal subject matter (including a helicopter ride over an active volcano) and the artist's own music, all synthesized through wildly vivid and frenetic electronic image manipulation.

In this film, Nauman bounces his testicles with one hand. Shot in extreme close-up, the work is perhaps an ironic reference to an earlier film Bouncing Two Balls Between the Floor and Ceiling with Changing Rhythms, in which he bounced rubber balls. Along with Black Balls, Gauze, and Pulling...

An homage to Op-Art, Brain Operations was inspired by an optical illusion produced by checkered tiles on the artist's bathroom floor. "When editing 16mm film, I had reached for a strand and closed my hand on nothing," Jacobs explains. "I had visually coupled similar-appearing frames, popping them...

Super-8 camera held out before him as shield and surrogate, Acconci pushes through a landscape of dense reeds and overgrowth. Break-Through records this search for a pause or clearing in what, for the viewer, amounts to an abstracted and scarcely differentiated visual field.

Produced at the Experimental Television Center in Oswego, New York, Breaking and Entering the Lost Timeframe works with discrete sound and video signals to visualize the discontinuity of time. Using analogue electrical noise as a signal for both, LoVid unlocks an "entrance" into the digital...

The screen is empty: the artist stands off-screen — he breathes in and out, his stomach moving into and out of the frame.

Breath Text is a powerfully simple performance in which VALIE EXPORT creates tension by breathing compulsively.

The scene is Brussels, a summer afternoon, and the city seems suspended, silent, waiting. A young girl reads a letter from a friend who is away from the city on vacation. André then opens the narrative—fiction? document?—into a journal of the city in summer, which she presents as an urban...

Kobland's quiet, meditative video is a philosophical investigation, a travelogue of sorts, and, ultimately, a probing essay-film in the tradition of Aleksandr Sokorov or late Godard. Buildings and Grounds pairs lingering, beautifully framed shots of urban scenes, industrial installations,...

The golden, barren landscape of Death Valley, California, recorded by Cho from a moving car, provides the luminous and mysterious texture of Buoy. As the title suggests, this work reflects on the polar extremes of this desert, which was once the floor of a vast sea, now traversed by sight-seeing...

In Butterfly, Seoungho Cho pursues an associative connection between a Buddhist drumming ritual and the pulsing drum solo in Iron Butterfly's famous psychedelic rock song "In-A-Gadda-Da-Vida." Cho's mesmerizing documentation of the Buddhist ritual furthers the association by framing the drummer...