Exuberant and witty, Hail the New Puritan is a simulated day-in-the-life "docufantasy" starring the British dance celebrity Michael Clark. Atlas' fictive portrait of the charismatic choreographer serves as a vivid invocation of the studied decadence of the 1980s post-punk London subculture....

In Hand Dryer, the artist dries her hands in the bathroom of the Loews Theater in Union Square after a screening of Men in Black III. The camera draws attention to the force and loudness of the dryer.

In another exploration of nonverbal communication, the camera moves back and forth, each time catching one of Acconci's hands in an expressive gesture. The result is a kind of narrative or dialogue of gesture.

Jacobs writes: "This film marks the invention of human sexuality and as such figures as an important turning point in the course of human affairs."

With computer artist Olivia Tele Clavel, Dechaine reworks archetypal images from recent American history depicting moments in the fight for human dignity — of protest, resistance and displays of pride and outrage.

Made with artist Llyn Foulkes, Happy Song For You is infused with Kahn's unique approach to storytelling in which death and tenacity, humor and absurdity, function as central forces. Influenced in turn by Foulkes' unique, three-dimensional approach to painting and a shared morbid sensibility, the...

Bag created this video for a 1998 group show titled Harriet Craig at apexart in New York. Curated by David Rimanelli, the exhibition focused on the 1950 melodrama Harriet Craig, which starred Joan Crawford, and its themes of "domesticity, femininity and the underbelly of potential madness in...

Writes Thomas Zummer: "Elusive and compelling, Have a Nice Day Alone is surpassingly strange, even for Leslie Thornton, an acknowledged genius of the unexpected. The entire spatial field of the film is activated by a technological nervous twitch, a bizarrely beautiful and hypnotic pulsing. The...

This interview is with Adam Lopez, Longshore Worker at Red Hook Container Terminals.

In Headphones, Cokes investigates the social value of music as a means of channeling violence, before and after its economic profitability. Animating a text by music theorist and economist Jacques Attali, author of Noise: The Political Economy of Music (1977), Cokes argues that music "piracy" is...

With Heaven's Gate, Ahwesh employs a strategy similar to that used in 73 Suspect Words: against a blank screen, a metronomic procession of single words unfolds, gradually building into a cool, minimal portrait of the apocalyptic paranoia that runs through the American social body. While 73...

"This tape explores unusual montage strategies and unexpected manipulations of objects (props). The second half of the tape, not included here, shifts from the 'creation myth' theme to a 'vegetarianism' motif. Oddly, many people have asked me the title of this tape, even immediately after viewing...

Bernadette Corporation describes this work as "A fashion film about the poetry of Stéphane Mallarmé and the color white." Produced for the 2000 Walker Art Center exhibition Let's Entertain, this short film employs a range of strategies to approach the idea of nothingness, emptiness, and vacuity,...

Jacobs writes: "A thunderstorm rolls over New York, affecting - and improving - TV reception. See what I caught, presented as recorded and starring Cary Grant and Irene Dunne."

In History Lessons, Hammer reclaims and rewrites lesbian history through her playful but empowering manipulation of a vast array of archival footage, from popular films to newsreels, sex ed pics, stag reels, medical and educational films, old nudies, and more.

Hubbard's sound design is as carefully arranged as his visual collages. In Hit Wave II, his signature use of foley sound is foregrounded by a dynamic layering of discrete tracks of voice, music and incidental noise. The subject is a magician (Magical Ramón), who in voice-over demonstrates how he...

This interview is with Fernando Lopez, chef and founder of Factory Tamal.

In this powerful "meta-document," Acconci sits in the dark with his back to a screen, onto which are projected slides of his past works, in chronological order from 1969. He describes each piece briefly. At times he turns to one side and speaks to an absent person in a conspiratorial whisper:...

Recorded in the chilly, indeterminate locale of airport terminals around the world, Seoungho Cho's surreptitious footage of travelers biding their time captures the ominous quietude unique to that space. The canned announcements and muttering news reports that usually fill this limbo are...

With its stationary camera shots, tight focus, and almost uniformly black and white images, Seoungho Cho's Horizontal Silence is an experiment in minimalist limitation. A window-like aperture, created by severe digital cropping, fragments all that the lens observes, bodies and architecture...

WARNING: This work contains throbbing light. Should not be viewed by individuals with epilepsy or seizure disorders.

Using the same stereoscopic animation technique of Jacobs' recent works Capitalism: Slavery (2006) and Nymph (2007), which he calls "a vigorous 3-D that can be seen without special...