Electronic Arts Intermix: Ken Feingold

Ken Feingold

Ken Feingold

Overview

Since he began working in film and video in the early 1970s, Ken Feingold has explored a complex discourse on the representation of the Other. His examination of the relation between the self and the real, as reflected in media images and new technologies, has led to an inquiry into the subjective observation of cultural otherness.

Titles

sort: a-z | year

Purely Human Sleep

1980, 28:43 min, color, sound

Water Falling From One World to Another

1980, 36 min, color, sound

Allegory of Oblivion

1981, 168:30 min, color, silent

Relays That Destroy Instants

1981-83, 35:15 min, color, sound

Scattered Witness

1982, 2:40 min, color, sound

Snakebite

1983, 42 sec, color, sound

Hell

1981, 9:19 min, color, sound

Region of Extreme Examples

1981, 8:23 min, color, sound

New Building Under the Water

1982, 11:38 min, color, sound

5 dim/MIND

1983, 29 min, color, sound

The Double

1984, 29 min, color, sound

Irony (The Abyss of Speech)

1985, 28:50 min, color, sound

India Time

1987, 45:54 min, color, sound

The Smallest Particle

1987, 7:53 min, color, sound

In Shadow City

1988, 13 min, color, sound

Life in Exile, Part One: Body, Speech and Mind: Conversations with Tibetan Philosophers

1988-89, 60 min, color, sound

Life in Exile, Part Two: Resisting the Chinese Occupation: Personal Accounts of Tibetans

1988-90, 30 min, color, sound

Un Chien Délicieux

1991, 18:45 min, color, sound

La Vida es Una Herida Absurda

1994, 3 min, color, sound