Two of McCarthy's single-channel video works have been in Moderna
Museet's collection for several years: Cultural
Soup (1987) and Family
Tyranny (1987), both made in collaboration with Mike
Kelley (b. 1954). In the spring of 2005, two additional
single-channel video works by McCarthy were brought into the
collection, Black
and White Tapes (1970-75) and Fresh
Acconci (1995, also made in collaboration with Mike
Kelley). These works were all acquired through Electronic Arts
Intermix. It is not a policy of Moderna Museet to buy works
from contemporary exhibitions that they organize, but the museum
does so when possible. Works commissioned by the museum for
exhibitions are considered an acquisition priority.
While working on this project McCarthy showed af Petersens many
notebooks from early in his career. They contain outlines and
instructions for numerous works that were never realized. Some
of these ideas might actually be made for the exhibition, as
commissions by Moderna Museet. According to af Petersens, ñWe
will try to put new light on these works and maybe realize some
of them and also deal with them in the catalogue.î According
to af Petersens, it would be especially interesting to acquire
such works. As af Petersens explains, ñVery few works remain
from the early days, but he has shown me a hundred early notebooks
with a lot of instructional works and propositions for works,
outlined. He said that maybe he was lazy, but he felt that the
work didn't have to be done somehow. This was during the heyday
of Conceptual art and also he didn't have funds to realize some
of the larger projects. So they just became works on paper.î
Return to
Paul McCarthy Case Study