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2002 is a "concert film" that collects together footage of approximately forty bands videotaped by artist C. Spencer Yeh during the year 2002, including Deerhoof, Animal Collective, Sightings, Sudden Infant, Cock ESP, Double Leopards, Caroliner Rainbow, Comets on Fire, and more. Acting as a survey, tribute, and foreshadowing of the contemporary American musical underground, 2002 captures not only the artists, but the audiences, spaces, and networks that remain incredibly formative and influential over a decade later.
21 Films, which actually contains 25 titles, is a compilation of 16mm and 8mm shorts assembled by the artist. In these works, Sherman combines the hallmarks of his "Spectacle" performances—metaphoric juxtapositions and visual puns—with a fluency in film grammar. Through exquisite storyboarding and montage, Sherman transforms the mundane into the magical, blithely manipulating colossal forms (landscapes, bridges, chili parlors, skyscrapers, rollercoasters, escalators, and airplanes) like weightless props.
This documentary details Leeson’s site-specific installation at the Bonwit Teller department store in New York. The original artwork, a series of 25 window displays on view from October 28-November 2, 1976, examines the future of shopping through photography, film, holograms, live action, and...
As an early pioneer of the music video, Julia Heyward presents a long-form "video album" with 360 that was released just a year prior to the birth of MTV. Heyward's ten songs (recorded with Jody Harris of The Raybeats and The Contortions and Don Christensen of The Raybeats and Bush Tetras) are interspersed with her familiar a cappella-like monologues.
73 Suspect Words is a deceptively simple and ultimately chilling meditation on the power of text. Ahwesh succinctly delves into one person's obsessive irrationality, and his expressions of fear and anger. Based on a spell-check of the Unabomber's manifesto, the work evokes the violence underlying the key words presented.
9/23/69: Experiment with David Atwood
Nam June Paik. In collaboration with David Atwood, Fred Barzyk, and Olivia Tappan.
1969, 80 min, color, sound
9/23/69 is a newly restored treasure. This early masterwork of electronic experimentation was created by Paik while he was Artist-in-Residence at WGBH in Boston. The title refers to the day it was made — September 23, 1969. Paik creates a stunning visual collage that fuses spontaneous, free-form...
Goldberg Variation #1 re-constructed with instrumental instructional videos downloaded from YouTube.
A Dance Incorporating Movements Derived from Experiments by Harry F. Harlow and Choreographed in the Manner of Martha Graham
Mike Kelley
1999, 8:32 min, b&w, silent
Screened inside Kelley's installation Test Room, this tape brings together several influences, including choreographer Martha Graham, sculptor Isamu Noguchi (who designed the sets for several of Graham's ballets), and scientist Harry F. Harlow, whose 1950s' experiments into the emotional...
In Hammer’s autobiographical experimental film A Horse Is Not A Metaphor, the artist reflects on her personal fight against stage 3 ovarian cancer, transforming illness into recovery. The haunting score is by musician Meredith Monk.
