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Fall NYC compiles glimpses of an autumnal New York City. Writes artist Whitney Claflin: “In Maggie’s videos, documentary and fantasy play b2b sets—the mundane is transformed into the magical almost immediately, only to have the next frame bring an action right back into its earthly setting. In Fall NYC, sound swerves across the scene as Maggie carries us with her around town. Blips of upbeat dance music ride over the visuals, woven un-Shazaamably with spoken words.”
Writes McCarthy: "I was given access to a community television studio for two days of shooting and one day of editing. I had been given the grant based on a proposal to do a video tape on child abuse. I taped for one day alone and one day with Mike Kelley. I asked Mike Kelley to be the son and I...
![Fascination with the [Game of the] Exploding [Historical] Hollow Leg](/user_files/images/title/_xl/rosler_fascination_xl.jpg)
Fascination with the [Game of the] Exploding [Historical] Hollow Leg
Martha Rosler
1983, 52:53 min, color, sound
This tape documents a multimedia installation with performance elements, which includes a simulated war room with altered maps, nuclear-weapons descriptive material, recruitment posters, military clothing, a slide show of U.S. and European protest marches and posters, giant newspaper collages, a...
The vertiginous File looks to consumer detritus for inspiration, as well as Rem Koolhaas' notion of the "junkspace" of modern cities. Scraps of color and pattern slide across the screen, frustrating all sense of spatiality and depth; the delirious soundtrack adds to the disorientation.
Finally is Baldino's personal video chronicle of Barack Obama's presidential inauguration on January 20, 2009. Visiting Washington as an ordinary citizen, Baldino resolves to attend the swearing-in ceremony on the National Mall and the parade in front of the White House. Documenting the elation shared by millions that day, she converses with fellow audience-members and captures her own footage of the First Family.
Kalin's short video works function both as visual poems and as alternative music videos. With their astute conjunctions of image, music and text, these tapes respond to issues of sexuality and human interaction in the 1990s, more than a decade into the AIDS crisis.
Staged in the manner of YouTube makeup tutorials, Fine Lines explores the effects of gentrification and the historical connections between racism and urban development. Harris-Babou’s mother, Sheila, applies her makeup while reading fictionalized letters from real estate developers trying to sell...
Echoing episodes of the PBS series “This Old House” which frequently deal with the finishing, insulating, or lighting of raw basement spaces, Finishing a Raw Basement takes the format of the home-improvement show as a template for a non-linear exploration of material. Harris-Babou and her mother play construction experts exploring how the word “repair” might relate to the unfulfilled promise of reparations for Black people in the United States.
In 1971 Matta-Clark produced works for the exhibition Brooklyn Bridge Event. This film records his process of making a sculpture - a small wall made of rubbish, waste paper and tin cans collected from the area.
In this "video poem," Vicuña responds to Gasland 2, a 2013 documentary by Josh Fox examining the devastating environmental impact of hydraulic fracturing in the United States. The audio recording of the poem Vicuña reads is from a July 18, 2013 performance at Poets House in New York City.
