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A film based on Sergei Eisenstein's notes and drawings for an unrealized science fiction movie that he pitched to Paramount Studios in 1930. Featuring Jim Fletcher and Kate Valk in a vertically-oriented narrative about an all-glass skyscraper, the theme of Glass House is the architecture of surveillance.
Global Groove is a seminal work in the history of video art. Paik's radical manifesto on global communications in a media-saturated world is rendered as an electronic collage, a sound and image pastiche that subverts the very language of television. With surreal visual wit and an antic neo-Dada sensibility, Paik brings together a cross-cultural melange of artworld figures and Pop iconography.
Good Morning Mr.Orwell is an edited version of Paik's first international satellite "installation," which was held on New Year's Day 1984. Paik's transcultural satellite extravaganzas link different countries, spaces, and times in often chaotic but entertaining collages of art and pop culture,...
A plastic container dangles from a string, a banana protruding from a hole in its side. To the accompaniment of Middle Eastern music, Donegan, her head wrapped in a white turban, catches the swaying banana with her mouth. Moving as if in a trance of erotic delirium, she engulfs the banana, chews...
Grand Mal is a hallucinatory, discordant drama, an extravagant and sinister fable of postmodern cultural malaise. Oursler's obsessional themes and morbid visions of religion, sex and death unravel in a fragmented narrative of fear, horror, delirium — and humor. His fantastic theater of the absurd...
Robert Buck writes: "As a visual iteration of his LP, Spirit Appears to a Pair of Lovers, artist and musician Gryphon Rue invited artists to create a video for one of the tracks. For Grass Light on Flesh, I manipulated TV news footage of the implosion of the space age Landmark Hotel and Casino in Las Vegas in November, 1995. Later, in the desert, I built a fire. Everything that rises will fall, except smoke."