Title Results

Your search returned 724 Titles

Hearts
Barbara Buckner
1979, 11:56 min, color, silent

Heaven's Gate
Peggy Ahwesh 
2000-01, 3:53 min, b&w, sound

Here Ahwesh employs a strategy similar to that used in her video 73 Suspect Words: against a blank screen, a metronomic procession of single words unfolds, gradually building into a cool, minimal portrait of the apocalyptic paranoia that runs through the American social body. Heaven's Gate takes up words from the Web site of the cult organization of that name, whose beliefs in extraterrestrial contact led to their 1997 mass suicide.

Hell Frozen Over
Bernadette Corporation 
2000, 19:22 min, color, sound

Bernadette Corporation describes this work as "A fashion film about the poetry of Stéphane Mallarmé and the color white." Produced for the Walker Art Center exhibition Let's Entertain, this short film employs a range of strategies to approach the idea of nothingness, emptiness, and vacuity, with an eye to how these notions relate to contemporary mass-cultural entertainment. Juxtaposing "documentary" takes on a fashion shoot with footage of semiologist Sylvère Lotringer giving an impromptu lecture on Mallarmé on a frozen lake, Hell Frozen Over maintains an ambiguous stance from which to both critique and celebrate the power of surface.

HIDEO, It's Me Mama
Mako Idemitsu
1983, 26:49 min, color, sound

HIDEO, It's Me, Mama is a psychological melodrama that introduces narrative and structural devices that are integral to Idemitsu's work. Exploring the flawed universe of the contemporary Japanese family, she focuses on a woman's identity as mother through mother-child and husband-wife...

History Lessons
Barbara Hammer
2000, 66:51 min, color, sound, 16 mm film on video

In History Lessons, Hammer reclaims and rewrites lesbian history through her playful but empowering manipulation of a vast array of archival footage, from popular films to newsreels, sex ed pics, stag reels, medical and educational films, old nudies, and more.

Home Movies
Vito Acconci 
1973, 32:19 min, b&w, sound

In this powerful "meta-document," Acconci sits in the dark with his back to a screen, onto which are projected slides of his past works, in chronological order from 1969. Autobiographical within the context of his art-making, Home Movies reveals the psychological circuit that propels much of Acconci's work, as he explores the self through a dialogue between the artist and an absent other.

Hopiit
Victor Masayesva, Jr.
1982, 14:17 min, color, sound

In this lyrical work, Masayesva observes Hopi cultural activities through the cycle of the seasons. Work and play, ceremonial rituals and the rituals of everyday life throughout the year are woven together in a seamless vision that conveys the oral traditions of storytelling, the natural...

How Far Is There
Lawrence Weiner
1999, 17 min, color, sound

Human Design
Ilana Harris-Babou 
2019, 5:40 min, color, stereo, HD video

Extending Harris-Babou’s broader exploration of the language and empire of Restoration Hardware, Human Design follows the artist as colonial explorer and travel blogger traveling to Gorée Island in Senegal to unearth the “rare” artifacts on display in the furniture company’s New York showroom. The work was originally made for the 2019 Whitney Biennial, after Restoration Hardware constructed a new megastore a few blocks from the museum.

Loss, displacement, time and memory permeate this haunting nonlinear narrative, which unfolds like a dream in the process of telling itself. Jonas is seen watching video images — shot in a New York studio and in rural Nova Scotia — that metaphorically relate to the dreams, reveries and memories...