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Happy Birthday, America
Maxi Cohen. In collaboration with Video Repetorie.
1976, 16:03 min, b&w, sound
With Head, Donegan ushered in a new era of brash, low-tech performance video. Here she confronts sex, fantasy, and voyeurism in an autoerotic work-out performed to pop music. The tape records a direct performance action: Donegan unplugs the spout of a plastic container; a stream of milk spurts...
In Headphones, Cokes investigates the social value of music as a means of channeling violence, before and after its economic profitability. Animating a text by music theorist and economist Jacques Attali, author of Noise: The Political Economy of Music (1977), Cokes argues that music "piracy" is not a crime or aberration, but a logical result of the marketing of music reproduction technologies.
Here Ahwesh employs a strategy similar to that used in her video 73 Suspect Words: against a blank screen, a metronomic procession of single words unfolds, gradually building into a cool, minimal portrait of the apocalyptic paranoia that runs through the American social body. Heaven's Gate takes up words from the Web site of the cult organization of that name, whose beliefs in extraterrestrial contact led to their 1997 mass suicide.
Bernadette Corporation describes this work as "A fashion film about the poetry of Stéphane Mallarmé and the color white." Produced for the Walker Art Center exhibition Let's Entertain, this short film employs a range of strategies to approach the idea of nothingness, emptiness, and vacuity, with an eye to how these notions relate to contemporary mass-cultural entertainment. Juxtaposing "documentary" takes on a fashion shoot with footage of semiologist Sylvère Lotringer giving an impromptu lecture on Mallarmé on a frozen lake, Hell Frozen Over maintains an ambiguous stance from which to both critique and celebrate the power of surface.
Heroin is Wojnarowicz’s earliest film, made in response to the increasing heroin use he observed among his coterie. Structured as a cautionary tale, it begins with candid shots of people preparing and injecting syringes in their apartments and culminates in a brief montage of, in his words, “different people dead in their kitchens, on their rooftops, in their hallways, in the street.”
HIDEO, It's Me, Mama is a psychological melodrama that introduces narrative and structural devices that are integral to Idemitsu's work. Exploring the flawed universe of the contemporary Japanese family, she focuses on a woman's identity as mother through mother-child and husband-wife...
In History Lessons, Hammer reclaims and rewrites lesbian history through her playful but empowering manipulation of a vast array of archival footage, from popular films to newsreels, sex ed pics, stag reels, medical and educational films, old nudies, and more.
