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A compilation of Schneemann's anti-Vietnam War group performances, this work merges film projection, sound and slide systems, light beams, audience and performer action in a sensory collage linking the exposed Illinois landscape to the devastation in Vietnam. Writes Schneemann: "I think of this...
The spontaneity of improvisational jazz is captured in this series of video music performances created on the Beck Direct Synthesizer. Featuring "live" improvisations with musician Warner Jepson, Beck's "jazz video" evokes musical forms and their visual abstractions.
Tony Conrad writes: "A trisection of the spectators' power over their own image language: word, trance, and command are installed as valences of the artist’s license, revealed as figures of parental authority."
Part of Gillette's series for Classical Video — tapes designed to act as non-literal, visual interpretations of classical music — In the Creeks is a lush, contemplative study of the natural microcosm of a creek in summer, transformed into an almost abstract, formalist microcosm. The dichotomy...
Initially created as an editing exercise for his students at UCSD, Jenkins’ Inconsequential Doggereal mixes poetic narrative fragments of self-shot footage with moments ripped from the unending flow of TV news, advertising, and entertainment. The images and sounds of mainstream television are...
Infinite Doors draws on the determined staying power and unremitting stimulation of prize-oriented game show culture. Utilizing clips from The Price is Right, Murata edits a kinetic series of prize unveils. Unrelenting audience applause and an excessively animated announcer make the clip at once comical and peculiar. The superfluity of reward and overload of visual cues become absurd in their excess and begin to smother the very excitement they are meant to induce.
Infinitely Unresolved is a collaboration with performance artist and dancer Arien Wilkerson (TNMOT AZTRO). LoVid and Wilkerson exchanged short dance sequences and DMs that were edited into a dance on desktop collage composition. The video was shot entirely using Facebook and Instagram Live....
Recently restored by the artist, and added to distribution thirty years after the catalytic event that inspired it, Inforeceptor is a lighthearted yet ominous anticipation of the cresting World Wide Web, marked by the launch of the first public web browser, Mosaic, in 1993. Shot on both Hi-8 video and Super 8 film, and incorporating whimsical effects, the playful hybrid approach to image making also reflects the progress of information technology, and how media has altered the human experience of the physical world. Lucas writes: "I completed this video in my last semester at Cooper Union in spring 1994 when there was a spectacle around the information superhighway in news media, commercials and magazines, before Netscape Navigator was released, also in 1994."
