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In this videotape, Nauman walks around the perimeter of a small square with his hands clasped high over his head. He then circles it in increasingly larger loops until he is out of camera range completely. Since the camera is inverted, he appears to be walking on the ceiling.
Conceived as a visual and sound poem in seven scenes, this animation of a two- thousand-year-old textile in the collection of the Brooklyn Museum invites entrance into a different visual and sonic space: the universe of the pre-Columbian weavers who created the portrait of a ritual procession...
This lyrical meditation on the cultures of the African diaspora is a richly visualized collage of sounds and images derived from African cosmology, tracing the long historical struggle to define a trans-cultural African race.
In PARIS (Metro), d'Agostino uses the Metro's closed-circuit surveillance cameras to record the movement of passengers in and out of the subway. The monitored images allude to a found text on the confusing etymological origins of "metro" and "poly" and their metaphoric connection to the subway as a vehicle of communication, while simulating the disassociation experienced by passengers in the system.
Writes Antek Walczak: "A detective-mystery movie adapted from Edgar Allan Poe's 'Purloined Letter' that purposely forgets the central premise of the story: the invisibility of hiding something obviously in plain sight. The Dupin twins, Augustine and Nicolas, confront another baffling case in...
"A silent film that investigates the nature of spectator perception by tourists and travelers. What do people see when they travel and isn’t it as much about moving forward as moving back? The Bateau Mouche tourist boats circle the Seine in Paris literally becoming the emblem of the voyager who cannot see." — Barbara Hammer
Participation represents the Vasulka's experience of the New York downtown scene in the late 1960s and early '70s. In this fascinating portrait of wildly creative people, places and times, the artists use the early Portapak video system to document, among others, Don Cherry performing in Washington Square, Warhol Superstars on stage, and Jimi Hendrix in concert. This pioneering video document is a free-form time capsule of an era.
Path of Totality documents the events leading up to the August 21, 2017 total solar eclipse in St. Joseph, MO (one of the prime locations within the path of the shadow as well as the hometown of the artist). Featuring a colorful array of eclipse-chasers, middle-Americans, and commercial opportunists who descended upon the small town in anticipation for a moment of impending darkness, the work captures the peculiar mixture of anxiety, amusement, and reflection summoned by the cosmic event.
Using an historical lantern-communication system based on light and sound signals, the film addresses fundamental problems and questions of nonverbal information exchange. Working with Joan Jonas, Serra discusses the phrase “One, if by land, and two, if by sea,” the secret signal used by the...
Pause brings together Cokes' inquiries into issues of cultural identity and the codes of pop music. Exploring the formal features of contemporary electronic music in relation to African Diaspora cultural forms, Cokes appropriates a popular, Internet-disseminated musical "mash-up" to suggest that "electronica and Black cultures both critique Western ideas of material progress and temporal development through ruptures, accidents, and repetitions."
