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Blue Studio: Five Segments is a groundbreaking work of videodance by postmodern master Merce Cunningham and his then filmmaker-in-residence, Charles Atlas. In a series of short pieces choreographed and performed specifically for video space, Cunningham is multiplied, overlaid and transported from the studio to a series of unexpected landscapes. Cunningham's gestural dance is manipulated to the accompaniment of a disjunctive audio collage that includes the voices of John Cage and Jasper Johns.
Drawing from music critic Philip Sherburne’s writings and British cultural theorist Paul Gilroy’s influential study The Black Atlantic: Modernity and Double Consciousness (1994), Mikrohaus, or the black atlantic? considers the socio-political context undergirding the roots of minimal techno in...
Writes Jonas: "For Mirage I made a film of drawing, again and again, images on a blackboard, and then erasing them. Reading the essays collected in Spiritual Disciplines, I got another idea to use drawings, also in Mirage, which I called 'Endless Drawings' after those described in the Melukean...
Mirage 2, which Jonas edited at EAI in 2000 for simultaneous projection with her 1976 film Mirage, is a montage composed of video dating from the era of the original film and performance. A kaleidoscopic and hypnotic piece, it revisits footage recorded in the 1970s: fragments of off-air...
Writes Oursler: "Model Release uses legal text to draw parallels between slavery, prostitution, spiritual possession and the practices of the media machine. The viewer is asked to fill-in-the-blanks of the contract and decide what part of their being they are willing to give up."
Produced during Lee’s trip to her childhood home in New Jersey after the unexpected death of her mother, Mommy weaves the artist’s memories into a kaleidoscopic narrative of devotion, memory, intrafamilial desires, and the evolution of American subcultures on the Internet. Using her mother’s unfinished autobiography as a starting point, Lee infuses personal and family history, situating Mommy as a story of her mother’s life as well as her own.
WARNING: This work contains throbbing light. Should not be viewed by individuals with epilepsy or seizure disorders.