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Writes Jonas: "For Mirage I made a film of drawing, again and again, images on a blackboard, and then erasing them. Reading the essays collected in Spiritual Disciplines, I got another idea to use drawings, also in Mirage, which I called 'Endless Drawings' after those described in the Melukean...
Mirage 2, which Jonas edited at EAI in 2000 for simultaneous projection with her 1976 film Mirage, is a montage composed of video dating from the era of the original film and performance. A kaleidoscopic and hypnotic piece, it revisits footage recorded in the 1970s: fragments of off-air...
Writes Oursler: "Model Release uses legal text to draw parallels between slavery, prostitution, spiritual possession and the practices of the media machine. The viewer is asked to fill-in-the-blanks of the contract and decide what part of their being they are willing to give up."
WARNING: This work contains throbbing light. Should not be viewed by individuals with epilepsy or seizure disorders.
"A curiosity, Movie Show looks backward to the era of structural films, particularly Ken Jacobs’s Tom, Tom, the Piper’s Son. The clip of film used in this performance is taken from my Articulation of Boolean Algebra for Film Opticals, the work with which I closed out my interest in combinatorial and logical structures." —Tony Conrad