Title Results

Your search returned 699 Titles

Nocturne
Peggy Ahwesh 
1998, 30 min, b&w, sound, 16 mm film on video

Nocturne, writes Ahwesh, is "a psychological horror film built on the conflicts of a woman tortured by the ambiguity between reality and illusion, dream and desire."

Not a Jealous Bone
Cecelia Condit
1987, 10:24 min, color, sound

A magical bone that promises eternal life propels the story of Not a Jealous Bone, a post-Freudian fairy tale in the guise of a musical narrative. An eighty-two-year-old woman in search of her mother and a beautiful young woman struggle over the life-extending magic bone. Condit holds an...

Notions of Freedom
Ulysses Jenkins
2007, 15:47 min, color, sound

In Notions of Freedom, Jenkins charts the history of jazz—what he calls “the first true American art form"—from its beginnings in New Orleans and the American South to the classic work of Louis Armstrong and Duke Ellington and through the major innovations of Ornette Coleman, Sun Ra, and Miles...

Novel City
Leslie Thornton
2008, 7:40 min, color, sound

In her new work, Thornton confronts the economic and cultural transformation of contemporary China, evoking the spectacle of capitalism run amok. Creating a layered landscape of alienation and dislocation, Thornton shoots from her window of the Jin Jiang Hotel in Shanghai, the site of Mao's 1972 meeting with Nixon, and revisits her 1983 film Adynata, itself an exploration of Orientalism and the Other.

Now
Lynda Benglis 
1973, 12 min, color, sound

Now takes on video's claims to immediacy and authenticity, as Benglis juxtaposes live performance with her own prerecorded image. The soundtrack features phrases such as "now!" and "start recording," commands that usually ground us in the present, but here serve to deepen the confusion between live signals and mediation. Repeated takes and acidic color processing heighten this challenge to video's power of "liveness."

Now I'm Turning to Face You
Rea Tajiri
1982, 6:50 min, color, sound

Tajiri combines classic cinematic moments with her own text, slyly juxtaposing the power of the viewer's anonymous machinations with the illusions created by the magicians of cinema — both located out of sight, just behind the curtain/screen.

nsʇıɾnɟ
Cory Arcangel 
2021, 33:49 min, color, sound, HD video

Single-channel screen recording of a live bot performance on Twitter (nsʇıɾnɟ), June 22-23, 2021.

O Panama
Burt Barr and James Benning 
1985, 27:19 min, color, sound

Written and directed by Barr in collaboration with filmmaker James Benning, O Panama features Oscar-nominated actor Willem Dafoe as a man confined to his apartment on a winter day as he suffers through an illness. Built on the polarity between hot and cold, the tedious reality of the man's...

Oblique Strategist Too
Edin Velez
1984, 12:33 min, color, sound

Oblique Strategist Too is a multilayered, tangential portrait of composer Brian Eno, and an evocative essay on the creative process. Eno's perspectives on his music and working methods surface elliptically, through interviews and footage of him in the studio and in lectures. Eno emerges as a...

Ocean
Charles Atlas, Merce Cunningham
2010, 100:28 min, color, sound, HD video

Charles Atlas' Ocean captures the breathtaking 2008 performances of Merce Cunningham's seminal dance work of the same title. Completed in 1994, Cunningham's 90-minute opus is an homage to composer John Cage and novelist James Joyce. Similarly, Atlas' film serves as an ode to his four-decades-long collaboration with Cunningham, who died in 2009, before the film was finished. Atlas' Ocean celebrates these histories and their relation to the intertwining of video, music and dance.