Title Results

Your search returned 626 Titles

Reparation Hardware
Ilana Harris-Babou 
2018, 4:05 minutes, color, stereo, HD video

Reparation Hardware takes up the call of its title as a proposal for the delivery of reparations to Black Americans while utilizing the form of a furniture restoration tutorial to deliver its message. Playing the role of furniture designer finding inspiration in a rustic American landscape, Ilana Harris-Babou examines the impulse to rewrite history with the help of tastefully refurbished antiques.

Resisting Paradise
Barbara Hammer
2003, 79:04 min, color, sound, 16 mm film on video

Hammer has crafted an eloquent and richly layered examination of the artist’s and individual’s role in times of conflict. Resisting Paradise focuses on Henri Matisse and Pierre Bonnard’s artistic work in the south of France during World War II, while also examining the word of Matisse’s family and others in the French Resistance Movement.

Return to the Scene of the Crime
Ken Jacobs
2008, 93 min, color, sound

Ken Jacobs writes, "In 1969, Tom, Tom, The Piper's Son seized me, with a new film (as I said then) almost incidentally a result. Placing the 1905 Mutoscope original in the computer allows for an unbounded freedom of study and playfulness. Now I seize the film, introducing a quasi-3D and strange time-dimension...Far more is revealed (the stealing of the pig!) and, joined to sound, the old movie even tells a new story."

Revolving Upside Down
Bruce Nauman
1969, 61 min, b&w, sound

A stationary camera set upside down and framing a long shot of the studio records Nauman, with his hands clasped behind his back, repeating a series of steps similar to those of Slow Angle Walk (Beckett Walk). The curious exercise combines pirouettes, goose steps, and crabbed, angled arabesques. ...

Roamie View: History Enhancement
Ryan Trecartin
2010, 28:23 min, color, sound, HD video

Roamie View: History Enhancement reveals JJ as a husk of his former self, overwhelmed by too many experimental personalities and reverted to factory presets. He hires Roamie Hood's (Alison Powell) company to roam backwards through time to research an opportunity for an edit that could alter his future-present.

Rock My Religion
Dan Graham
1983-84, 55:27 min, b&w and color, sound

Rock My Religion is a provocative thesis on the relation between religion and rock music in contemporary culture. This complex collage of text, film footage and performance forms a compelling theoretical essay on the ideological codes and historical contexts that inform the cultural phenomenon of rock 'n' roll music.

Rock Video: Cherry Blossom
Shigeko Kubota
1986, 12:54 min, color, silent

A single-channel version of Kubota's installation of the same name, Rock Video: Cherry Blossom is a lyrical fusion of nature and technology. Branches of pink cherry blossoms etched against a vivid blue sky are the starting point for this sensual visual haiku. Through a fluid application of...

RRK (Reading Rosalind Krauss)
Tony Cokes
2011, 4:55 min, b&w, sound, HD video

Cokes writes, "Reading Rosalind Krauss presents a sing-along transcript of the lyrics from a pop song by The Size Queens. The song was part of the official musical soundtrack for the first Our Literal Speed: The Performative Discourse event at ZKM, Karlsruhe, Germany. This witty chunk of rock-art considers the art critic / theorist Krauss' authorial persona, textual tropes, and the experience of reading her texts."

Runway for Interactive DJ Event
Mike Kelley
2000, 48:23 min, color, sound

This tape documents an event staged at the 1999 opening of Kelley's solo exhibition in Braunschweig, Germany. Kelley and artist Kalin Lindena modelled doll's clothes in a "dungeon-like" cellar. A DJ stationed in the cellar communicated their activities by intercom to a DJ in a dance tent outside. His music selections were relayed back to the cellar through speakers, and influenced the actions of the models, producing an interactive circuit.

San Francisco (BART)
Peter d'Agostino
1978, 20 min, b&w and color, sound

San Francisco (BART) documents an "installation-in-motion," a performance event in a Bay Area Rapid Transit (BART) train from San Francisco to Berkeley. Immense surveillance and control systems are juxtaposed with the human element—pockets of life moving through a massive, intricate organism.