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Your search returned 626 Titles

SweetBerry Sonnet (Remixed)
Kalup Linzy
2008, 22:06 min, color, sound

SweetBerry Sonnet (Remixed) is a remixed version of Linzy's recent video anthology, which was created to accompany the songs on Linzy's 2008 album, SweetBerry Sonnet. Performing as his recurring characters (including Taiwan, Labisha, Katonya, Nucuavia and Jada), Linzy created a music video for each R&B-inspired song on the album. With titles such as "Dirty Trade" and "Edge of My Couch," the songs—all written and performed with sublime theatricality by Linzy—trace a melodramatic arc of desire and loss.

Symptomatic Syntax
Frank Gillette
1981, 27:20 min, color, sound

Symptomatic Syntax is a recreation of an ecological environment in which natural forms — leaves, flower petals, butterfly wings — form an ever-changing, visually compelling series of compositions. Juxtaposed with these organic forms is a series of texts that examine time, logic, and the dichotomy...

Sync Touch
Barbara Hammer
1981, 10:07 min, sound, 16 mm film on video

"A lesbian/feminist aesthetic proposing the connection between touch and sight to be the basis for a 'new cinema.' The film explores the tactile child nature within the adult woman filmmaker, the connection between sexuality and filmmaking, and the scientific analysis of the sense of touch." — Barbara Hammer

Synthesis
Stephen Beck
1971-74, 28:56 min, color, sound

Synthesis illustrates the virtuosity of Beck's work with the Direct Video Synthesizer. Conception is an abstract work that refers to origins and archetypes; Methods is a step-by-step explanation of Beck's Synthesizer. Composed with Jordan Belson, Cycles is a "videofilm" that fuses both...

Technology/Transformation: Wonder Woman
Dara Birnbaum
1978-79, 5:50 min, color, sound

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic...

TeleTapes
Peter d'Agostino
1981, 27:50 min, color, sound

In TeleTapes, d'Agostino continues his critique and analysis of television's influence on everyday life and culture by exploring the content and time structure of broadcast TV. Composed of three parts — TeleTricks - TV Environments; TeleGames - And Now, The News; and TelePuzzles - TV Movies — this collage uses tricks, games, puzzles and a veritable dictionary of TV effects as analogies and metaphors for the visual and aural language of the television viewing experience.

Television Delivers People, produced with Carlota Schoolman, focuses on the political import of broadcasting as corporate monopoly and imperialism of the air. The content is presented ironically, for the message criticizes its medium while remaining within it. Muzak is playing while sentences...

Temp Stop
Ryan Trecartin
2010, 11:47 min, color, sound, HD video

Temp Stop, as the title implies, has a disjunctive quality that separates it from the other parts of Re'Search Wait'S. As if emanating from the basement of Any Ever, each scene plays like a hidden-away epilogue rendering characters comparatively surreal--in part because they are often straightforward and ordinary.

Temple Time
Ryan Trecartin
2016, 54:32 min, color, sound, HD video

Tender Fictions
Barbara Hammer
1995, 60:27 min, color, sound, 16 mm film on video

Hammer’s 1996 documentary Tender Fictions is the second in a trilogy of autobiographical films that includes the iconic Nitrate Kisses and History Lessons. The film was chosen for the 1996 Sundance Film Festival, for which Lisanne Skyler wrote, “[Barbara Hammer’s] struggle becomes symbolic of all those who have rejected the ideals by which they were raised...a moving and provocative look at the role of community in an artist’s life and the role of the artist in her community."