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A documentation of a live performance at New York University, Pryings is a graphic exploration of the physical and psychological dynamics of male/female interaction, a study in control, violation and resistance. Acconci writes, "The performer will not come to terms, she shuts herself off, inside the box (monitor), my attempt is to force her to face out, fit into the performer's role, come out in the open."
"The sub-personalities of me, as baby, athlete, witch and artist are synthesized in this film of superimpositions, intensities, and color layers coming together through the powers of film." — Barbara Hammer
In this documentation of a performance at New York University, an overhead camera circles above Acconci and Kathy Dillon. In a dark auditorium, Acconci walks in a circle around Dillon, while she moves in the center. Staring at each other, they try to maintain eye contact while following the other's changes in direction and speed. Acconci has stated, "I might be trying to crowd her, drive her to a standstill—she might be trying to draw me into her, stop me from circling...I might be trying to remain an observer, detached, on the outside."
This unique documentary on the downtown New York music scene is a collage of music, performance and commentary in which Atlas captures the energy and pluralism that characterize this urban milieu.
Single-channel screen recording of a live bot performance on Twitter (pɹoɟ), June 22-23, 2021.
QUARKS is a rigorous analysis of how television functions. Structured in a series of thirty-second intervals, three layers of information — sound, image and written texts — are ironically juxtaposed with TV patter. D'Agostino questions the meaning of what is seen and heard on television by...
