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Made in collaboration with Keith Sanborn, The Deadman is based on a story by Bataille, charting "the adventures of a near-naked heroine who sets in motion a scabrous free-from orgy before returning to the house to die — a combination of elegance, raunchy defilement and barbaric splendor." — Jonathan Rosenbaum, Chicago Reader.
This portrait of Nam June Paik was produced as a "video catalogue" for the national touring exhibition The Electronic Super Highway, which premiered at The Museum of Art in Fort Lauderdale, Florida. This work features recent installations, historical background and interviews with the artist....
“Refashioning the intention of footage lifted from an online animated news outlet, The Falling Sky is a cautionary tale about human foibles increasingly out of alignment with the forces of nature. The bombardment of fragmentary information, discoveries, crises, gossip and opinion on a daily...
The Feeling of Power documents a 1989 ACT-UP protest at Trump Tower, offering a self-reflexive manifesto of video activism that brings the ‘70s "guerrilla television" movement into the age of the camcorder.
The Female Closet is an hourlong documentary that uses archival photographs, home movies, interviews, and other visual materials to explore the closeted lesbian histories of artists Alice Austen, Hannah Höch and Nicole Eisenman. Utilizing groundbreaking research, newly discovered home movies, and archival photographs, and other visual sources, The Female Closet. is a cultural interrogation of the closeted and not-so-closeted lives of three women artists.
In The Hitchcock Trilogy, Tajiri uses Bernard Hermann's evocative scores for Hitchcock's films to create a compelling series of deconstructive "meta-narratives." Collapsing these emblematic scores with her own texts, she creates a layered "hall of mirrors" of stories within stories, using the...
The Hollow Coin explores roles of authority in public space and the intersection of personal and historical narratives. The video combines documentary footage of New York City’s rapidly disappearing network of payphones with audio of a covertly recorded telephone exchange between an actor and an unknowing bystander.
In this music video, which operates as a meditation on contemporary Chinese history, Yau Ching combines found images and text to negotiate between idealism and propaganda and the hopes and disillusionment that they bring.
