Douglas Gordon rose to international prominence in the 1990s, and is widely celebrated for his rigorous conceptual work. Reworking found source materials ranging from the suspense films of Alfred Hitchcock to classic horror literature such as Doctor Jekyll and Mr. Hyde, the Scottish-born Gordon mines the psychological implications of these texts as shared cultural memory. In film projections, video works, performances, photography, and multi-media installations, Gordon reimagines these cultural texts to address notions of self and subjectivity, the knowability of evil, and the ambiguity of morality.