In this review of the first Women's Video Festival, Robin Reisig gives an account of the festival and a critical judgment on some of the works presented.
This exhaustive 37-page essay on the history of the Women's Video Festival addresses the fact that the Festival has been largely ignored since the 1970s.
In this introduction to the catalogue for the 1976 Women's Video Festival, Susan Milano looks back at the past years' festivals and posits her arguments for a separate forum for showcasing women's videotapes.