Electronic Arts Intermix: Ursula Hodel

Ursula Hodel

Ursula Hodel

Overview

With irony, humor, and an outrageous sense of style, Ursula Hodel's performance gestures conflate desire, consumerism, vanity, and the female body — and put a new spin on the idea of video as mirror. Using herself as the main subject of her video work, Hodel explores notions of beauty, hedonism, narcissism and self-obsession.

Titles

sort: a-z | year

Amore Amore

1999, 5:30 min, color, sound

Cinderella 2001

2001, 12 min, color, sound

Cornuto

1998, 7 min, color, sound

Eskimo Woman

2000, 15:36 min, color, sound

FAT

2003, 17:10 min, color, sound

Fencing

2000, 14:05 min, color, sound

Freckles

1999, 23 min, color, sound

Gap

1999, 10 min, color, sound

Godiva

1997, 4:31 min, color, sound

Havana

1997, 29 min, color, sound

Imelda

1998, 5:29 min, color, sound

Makeover

1998, 11 min, color, sound

Mermaid

1997, 7 min, color, sound

Milking the Swiss Cow

1999, 13:22 min, color, sound

Nine Thousand

1999, 54 min, color, sound

O-C-D (Obsessive Compulsive Disorder)

2002, 9:32 min, color, sound

Past Life: Blue Violet

1999, 13 min, color, sound

Past Life: Egypt

1997, 9 min, color, sound

Past Life: Fisherman's Woman

1997, 8:15 min, color, sound

Past Life: Joan of Arc

1997, 7 min, color, sound

Past Life: Queen Christina

1997, 11 min, color, sound

Past Life: Tausend und eine Nacht (The Arabian Nights)

1999, 14:09 min, color, sound

Past Life: White Room

1998, 10 min, color, sound

Picasso's Model

1999, 2:40 min, color, sound

Rooms

1999, 19:45 min, color, sound

Shame On You (24 Coats)

2002, 9:53 min, color, sound

Speedo

1997, 7:34 min, color, sound

Xmas Tree

1999, 3:34 min, color, sound