The timeless petty territorial battles that might have plagued teenagers of the "Old World" are the subject of Lampert's fixed camera, which frames a pastoral scene of leafy trees and an overgrown road, reminiscent of 19th-century landscape painting and early cinema.
Madeline Quinn, Caroline Golum, and Andrew Lampert chat about the trials and tribulations of adolescence. Madeline takes center stage as she recounts her rebellious youth while Lampert —a disembodied voice supposedly manning what sounds like a film camera, though the footage has been digitally manipulated—eggs her on.