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LAUNCH: EAI PROJECTS

EAI
535 West 22nd Street, 5th Floor
Thursday, September 22, 2005, 6:30 pm

Works

Appropriating a dated exercise video hosted by actress Angela Lansbury, Feeling Free presents a woman, played by Moulton, who attempts to follow the televised workout in her living room even as elements of her home décor begin to appear onscreen. Moulton subjects the footage to eccentric visual and audio displacements, culminating in a psychedelic dance sequence set to a remix of the program's insipid theme song.

Melter 2
Takeshi Murata
2003, 3:50 min, color, sound

Melter finds Murata applying his deft touch with image-making software to questions of fluidity. Exploring formal tropes of melting, rippling, and bubbling, Murata's abstract experiment in hypnotic perception is at once organic and totally digital.

Monster Movie
Takeshi Murata
2005, 3:55 min, color, sound

Takeshi Murata continues to push the boundaries of digitally manipulated psychedelia. In Monster Movie Murata employs an exacting frame-by-frame technique to turn a bit of B-movie footage into a seething, fragmented morass of color and shape that decomposes and reconstitutes itself thirty times per second.

Rejected or Unused Clips... purports to be a collection of unused video and audio clips left over from the artist's other works. Interlacing voice-over and sound with the sorts of graphic imagery that could belong equally to advertisements, corporate reels, amateur home pages, and video games, Price takes on religious and scientific discourse, the history of experimental cinema, the interrelation of culture and technology, and the social naturalization of violence. At the same time, however, this index of material at once discarded and made useful, with its claim to a formal structure based on "importance," provokes the question of how much its themes and messages are actually intended to cohere and communicate.

The B.C. Corporate Story
Bernadette Corporation 
1996, 7 min, color, sound

This video examines the sorts of propaganda that a corporation might distribute internally to communicate an over-arching mandate or vision to its workers in order to boost morale. Bernadette Corporation slyly turns the notion inside out, yielding a document that at once subverts and expresses the form.