/user_files/images/public_program/schneemann_heart.xl.jpg

CAROLEE SCHNEEMANN
Valentine's Day Video Presentation and Book Signing

Dia bookshop
535 W 22nd Street, New York City
February 14, 2003

Works

Body Collage
Carolee Schneemann
1967, 4:12 min, b&w, silent, 16 mm film on video

This is a newly restored version of a visceral "movement-event" from 1967, in which Schneemann paints her body with wallpaper paste and molasses, and then runs, leaps, falls into and rolls through shreds of white printer's paper, creating a physicalized corporal collage.

Devour
Carolee Schneemann
2003-04, 8:40 min, color, sound

Devour is a dual-channel version of the artist's multi-channel video projection installation of the same name. Schneemann notes that this work brings together "a range of images which contrast evanescent, fragile elements with violent, concussive, speeding fragments... political disasters, domestic intimacy, and ambiguous menace."

Illinois Central Transposed
Carolee Schneemann
1968-69, 18:15 min, color, 16 mm film on video

A compilation of Schneemann's anti-Vietnam War group performances, this work merges film projection, sound and slide systems, light beams, audience and performer action in a sensory collage linking the exposed Illinois landscape to the devastation in Vietnam. Writes Schneemann: "I think of this...

Snows
Carolee Schneemann
1967-2009, 20:24 min, color and b&w, sound, 16 mm film on video

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War. In an ethereal stage environment combining colored light panels, film projection, torn collage, hanging sacks of colored water, "snow," crusted branches, rope, foil and foam, an audience-activated electronic switching system controlled elements of the performance/installation.

Viet-Flakes
Carolee Schneemann
1962-67, 8:31 min, toned b&w, 16 mm film on HD video

Viet-Flakes was composed from an obsessive collection of Vietnam atrocity images, compiled over five years, from foreign magazines and newspapers. Schneemann uses the 8mm camera to "travel" within the photographs, producing a volatile animation.

Water Light/Water Needle (Lake Mah Wah, NJ)
Carolee Schneemann
1966, 11:13 min, color, sound, 16 mm film on HD video

Schneemann's classic 1966 aerial "Kinetic Theatre" work was first staged at St. Mark's Church in the Bowery, with eight performers moving to a score of randomized encounter on layers of rigged ropes and pulleys. One of two video documents of this early and influential performance, this version is...