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A companion to All the Parts from Simon and Garfunkel’s 1984 Park Performance, in which Arcangel documents his own gestural interventions of consumer recordings of the duo’s performances. As he plays a Simon and Garfunkel DVD in his living room, the artist holds his hands up to cover any instance of Simon appearing onscreen.
Score for Joanna Kotze was written by Silver for the choreographer Joanna Kotze during their shared time at the Bogliasco Foundation Residency in Italy, and later reformulated as a moving image work. The score itself is un-danceable, examining the attunement to a surrounding environment enacted through performance.
This tape investigates the media's portrayal of African American males, specifically the use of stereotypes in such cases as the Mike Tyson and O.J. Simpson trials. Jenkins responds to the ceaseless televisual repetition of images from such events by constructing this tape as a 25-minute loop of...
The artist listens as her friend, a Garfield plushy, confides in her.
The confluence of words and movement propels this multi-layered collaboration by Atlas, choreographer Douglas Dunn, and poets Anne Waldman and Reed Bye. Dunn's athletic choreography is performed to the rhythms, cadences, and associative meanings of the poets' "cascade of words," which function as music. Atlas introduces narrative references, ironically staging the dance in unexpected locations, including domestic interiors and vehicles. Atlas and his collaborators intersect the language of words with the language of the body.
Secrets From the Street examines the intersection of cultures and classes as exemplified by the street life of San Francisco's Mission District. This videotape, produced for an exhibition held jointly at San Francisco's City Hall and its Museum of Modern Art, argues — against the show's theme and...
Self Divination speaks poetically about origins and the realities of the African diaspora.
