In Binocular Menagerie, Thornton plays with vision, perception and transformation. A series of images of animals—a virtual menagerie of birds, reptiles and mammals—is framed within a format of two circular windows. Each animal's movements on the left are remapped into an elegant abstraction on the right, transforming the "real" into a digital kaleidoscope. In this unexpectedly profound meditation on the minutiae of perception, the smallest shift in the animal's movement ripples into resonant motion, multiplied, recast, and folded back upon itself. Thornton's manipulations intensify the viewer's focus, offering revelatory ways of seeing and perceiving the ordinary that are both strange and beautiful.

Binocular Menagerie premiered as part of the 2014 Midnight Moment Series, a project of Times Square Arts and Times Square Alliance, in which an artist's work takes over the giant LED billboards in the heart of New York's Times Square every night for a month, just before midnight.

States Thornton, "In Binocular Menagerie, I wanted to create an exotic environment of 'almost-nature' for Times Square, in which there is co-habitation of animal, machine, architecture and man. I thought of multiple King Kongs, both horrible and sublime at the same time, and I thought of taking over this whole visual field with small revelations."