To create this dense pop collage, Bell-Smith overlaid the first twelve parts of R. Kelly's soap opera/song cycle, Trapped in the Closet, playing them simultaneously. He writes, "I wanted to take this cultural object and amplify its peculiarity by folding the song and narrative onto itself." The result is a thick blur of overlapping forms and ghostly voices atop a plodding beat, all building to a chaotic crescendo and release.