André re-organizes time, rhythm and sound in her portrait of the new music composer/pianist Walter Hus, constructing a study of the process of composing. Playing on the title's double meaning — "composition" and "composite" — André isolates musical gestures and fragments time, recomposing Hus' evolving composition. In this vividly realized document, André establishes a formal analogy between the compositional process of Hus' music and her own methodology of image-making.