Kiru Umi No Yoni is a reworking and expansion of a multi-media installation. This single-channel version utilizes computer graphics, overlays and Shanghai jazz to transform what Callas terms a "didactic document" into a ghostly evocation. The original installation incorporated an upturned monitor whose image was obscured by a suspended slide projector; a ceramic plate on which was printed the found image of the decapitated heads of two aboriginals; thick electrical cables, and light globes.