Takeshi Murata introduces Monster Movie at EAI on Tuesday, February 17, 2009.

Takeshi Murata continues to push the boundaries of digitally manipulated psychedelia. In Monster Movie Murata employs an exacting frame-by-frame technique to turn a bit of B-movie footage (from the 1981 film Caveman) into a seething, fragmented morass of color and shape that decomposes and reconstitutes itself thirty times per second.

Sound: Plate Tectonics