In this ironically ambivalent period piece, Linzy plays with double entendre and linguistic anachronism as a raunchy blues song by Bernice Edwards plays on the soundtrack. Linzy, decked out like a gangster's moll, makes a confession to his lover: "I am not gay. I've realized my gayness must come from within." The artist suggests that "gayness" and "gaiety" are two sides of the same coin.