Employing archival film clips and new video, Atlas' self-described "video montage" is a documentary sous-rature. In his portrayal of filmmaker/choreographer Yvonne Rainer, Atlas undermines genre conventions to pose some of the same questions that have long concerned her. While an extended interview with Rainer runs throughout the piece, Atlas' editing takes up the four "performers" (Rainer herself among them) who enact and re-enact the interview, shuffling and superimposing image and voice tracks to yield a video palimpsest of theatricality and ambiguity.