Using associative imagery, Seaman creates an unsettling world of buildings and objects, devoid of people. Juxtaposing static shots of stone buildings on "sheer" mountainsides with images of empty rooms, a ladder tilted against a wall, and a reflection of a car rounding a curve, Seaman suggests absence, unbalance, and the mystery of the everyday. A pair of hands clasped together, folding and unfolding, links the images together much as Seaman juxtaposes them for the viewer. Scissors on a table echo the "cutting" that is prevalent in Seaman's work, and provide another allusion to the title.