Since he began working in film and video in the early 1970s, Ken Feingold has explored a complex discourse on the representation of the Other. His examination of the relation between the self and the real, as reflected in media images and new technologies, has led to an inquiry into the subjective observation of cultural otherness.
1983, 29 min, color, sound
1981, 168:30 min, color, silent
1988, 13 min, color, sound
1987, 45:54 min, color, sound
1985, 28:50 min, color, sound
1994, 3 min, color, sound
1988-89, 60 min, color, sound
1988-90, 30 min, color, sound
1980, 28:43 min, color, sound
1981-83, 35:15 min, color, sound
Scattered Witness
1982, 2:40 min, color, sound
Snakebite
1983, 42 sec, color, sound
Hell
1981, 9:19 min, color, sound
Region of Extreme Examples
1981, 8:23 min, color, sound
New Building Under the Water
1982, 11:38 min, color, sound
1984, 29 min, color, sound
1987, 7:53 min, color, sound
1991, 18:45 min, color, sound
1980, 36 min, color, sound