These selections of later video works by Stuart Sherman, produced in the 1990s, continue Sherman's idiomatic manipulations of everyday objects and situations. Throughout his artistic career, Sherman never limited himself to any one art form, and these works show his agility in adapting his practice to the unique syntax of video. Though he makes use of direct camera addresses and basic video editing, the conceptual witticism of his minimalist Spectacles performances is evident, as it is in his own poetic written encapsulations of each work.